Like all great songwriters, Matt Quinn from LA band Mt Joy started all of his formal music training – in his bedroom in Philly
Even though Matt always had a desire to write and create music, he eventually started law classes.
He was deep into tort law class when he saw that his first release Astrovan had 60,000 plays in one day on Spotify.
So much for the law career.
The second Mt Joy album is called Rearrange Us
Matt describes the release as a “breakup album” with an ending that speaks to personal growth and progress in the face of sorrow and is filled with hits!
Kinnie Starr just co-wrote the powerful single, THE BEST, with Amanda Rheaume and is looking into the future with hope!
2020 will see the release of her soundtrack for the award-winning Edge of the Knife directed by Gwaai Edenshaw and Helen Haig-Brown and a follow-up podcast to Play Your Gender, the documentary film Kinnie released in 2016 on gender equity in the music industry.
September 4-5-6 Kinnie will co-headline with Buffy Ste Marie and Snotty Nose Rez Kids at 2RiversRemix, a live stream of Contemporary Indigenous Music
Normally it would have taken place in Lytton. BC but nothing is normal about 2020.
Kinnie and I talk about her thoughts on Nation Indigenous Day, her soundtrack for Edge of the Knife, and the 2RiversRemix event next weekend.
Living and Working in New Zealand. Work is singing and songwriting in the music business.
Actually, the real work is being a mother and wife. Then comes work.
If you like the power of voices like Etta James & Patsy Kline then Tami is your kind of singer.
But she’s more than that.
A feminist, mother, and social activist.
Her latest album is Chicka Boom. It’s fantastic. Just like Tami
We’re going to talk about starting over, women in country music, expectations of a Mother in music, double standards, and what being a Canadian still means.
“We are a team of artists & technologists passionately building an efficient, friendly and transparent marketplace where anybody can perform, host, or curate shows for their communities”
And then this –
“Although our company was originally for in-person shows only, we quickly expanded to the online sphere, once gatherings became unsafe. Our job is to help artists, curators, festivals, and venues keep creating shows and help audiences find them.
When faced with a crisis, it is always art that helps us through. Whether it offers comfort, community, understanding, solace, distraction, or perspective, art has always been something humanity employs to make it through pain and suffering. We are committed to supporting the creators in safe and innovative ways to connect to their audience.”
Laura Simpson Co-Founder & CEO
Laura’s founding partner is Dan Mangan, a singular artist who knows about endless road trips, rooms full of strangers, and surviving the hard road.
SideDoor started several years ago as a way for emerging artists to play stages in towns, cities, regions, and provinces.
The stages were storefronts, backyards, front rooms, porches, tennis courts, and actual stages.
Forward to 2019 and a World epidemic that changed everyone’s life.
Dan tells the story of where he was and how Sidedoor Access became “The Thing”
Here’s the story of how Dan, Laura, and Sidedoor became a sensation and changed their lives. Again.
This is the first repeat that we’ve presented on the Podcast. It comes from working on a Mulligan Stew special celebrating our many years at the Edmonton Folk Music Festival. One interview stood out. This one with Rhiannon Giddens. It was 2018 and she was returning to the festival for the first time since taking time away from her friends in Carolina Chocolate Drops. She was now a solo artist with T Bone Burnett producing and mentoring. That’s a matter of record. What was outstanding were her comments 2 years ago on Black Lives Matter, civil rights, the history of black struggle in America, and her place in that struggle. Powerful words and opinions. As essential today as they were 2 years ago. We present Rhiannon Giddens. The complete interview.
Recorded live at the Edmonton Folk Music Festival, Rhiannon Giddens talks to Terry David Mulligan about stepping into the spotlight as a solo artist, the influence T-Bone Burnett has had on her career, her latest record ‘Freedom Highway’ and her thoughts on the recent sea change in American politics.
“With a script by Eric Johnson and Paul Tamasy, based on The Outpost: An Untold Story of American Valor by Jake Tapper, the film emerges as an action thriller which never loses sight of the futility of the war being fought.
You could also watch this intensely powerful movie, which Lurie directs with a keen understanding of the mechanics of battle and an overriding humanism that puts flesh-and-blood on the bones of the tragic story being told about Bravo Troop 3-61 CAV, one of the most decorated units of the 19-year conflict”
Peter Travers Rolling Stone
Rod Lurie attended West Point and served four years as a combat arms officer. Started the Broadcast Film Critics Assn with Joey Berlin.
Then turned his attention to writing and directing in TV and film.
It all came together when he wrote and directed the Golden Globe and Academy Award-nominated The Contender.
This conversation about his latest film The Outpost is a reflection of my admiration for Rod and all he’s done. The Outpost plays to all of his strengths., the characters of the real soldiers involved and honoring the men who battled that day. His toughest critics were the families of those who died. It was vital that they saw their loved ones portrayed as the warriors they were.
Colin Cripps is one of those musicians/artists who may never receive the full spotlight the lead singers get but if you ask that artist in the spotlight, they’ll tell you they wouldn’t be in the studio or out on stage if Colin wasn’t there with them step for step.
In other words, invaluable.
Currently, he’s a member of Blue Rodeo and The Jim Cuddy Band.
He’s played with and produced Crash Vegas and Junkhouse.
Produced and written with ex-wife Kathleen Edwards, Tom Wilson, Colin James, Headstones, Sarah McLachlan, Bryan Adams.
Many many more credits can be found online.
Speaking of online, Colin is a Guitar Geek and he lives in a World where other guitar geeks compare notes on guitars and gear.
They all speak another language ..about tone and bridges and strings and colors. They go crazy for colors.
Colin has some 40-50 guitars.
Each brings something different to music.
Colin takes us through the differences and who played what on which records.
Jeff Beck. Eric Clapton. Keith Richards. The Beatles. Elvis Costello. Metallica. Jimmy Page. Hank Marvin. Mark Knopfler. Cliff Gallop.
It’s time to Geek OUT !!
Colin talks about and shows/plays these guitars
1955 Fender Telecaster in Sunburst (Keith Richards. Jimmy Page)
1963 Fender Stratocaster in Fiesta Red (Hank Marvin. Jimi. Mark Knopfler)
1964 Gibson SG Standard in Cherry Red (Colin’s Fave)
1962 Epiphone Casino in Royal Tan (The Beatles made them famous)
1958 Fender Jazzmaster in Roman Red (Elvis Costello. Only 4 in this color)
1958 Gibson Explorer. The Holy Grail of originals. James Hatfield’s is worth 1M.
My Darling Vivian was a line that Johnny Cash wrote at the top of the 100’s of letters he sent to his girlfriend Vivian Liberto when Johnny was in the army and based in Germany. Well before he was famous.
Johnny and Vivian were crazy about each other and when John came back home they decided to get married and have a family.
Four daughters later Johnny Cash was a big music and film star and Vivian was raising the girls well away from the spotlight.
She did make a public appearance at a courthouse when Johnny was busted at the US/Mexican border for drugs.
The shot taken of her in black and white made it appear that she was a light-skinned African American, even though she was Italian.
Radio in the ’60s stopped playing his songs and concert gigs dried up. Such was the racist society in America at the time.
Vivian filed for a divorce to basically get Johnny’s attention. Problem was, he did notice and got divorced.
June Carter had entered the picture and that’s where the headlines went.
Vivian’s life was badly portrayed in the Hollywood film I Walk the Line
Vivian’s daughters Rosanne, Cindy, Tara, and Kathy Cash were determined to tell their Mothers story and found two perfect filmmakers to partner with.
Matt Riddlehoover – (John’s Grand son-in-Law) Director, writer, editor.
Dustin Tittle – Grandson of Vivian and John) Producer
Screen this seriously great Documentary at the website